Aimee Greenberg
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Vat's NU?

writing for electronic formats

12/31/2021

2 Comments

 
Aimee Greenberg is participating in the upcoming Writing for Electronic Formats Online Workshop by CULTUREHUB, New York.

January 10–21, 2022
7pm–10pm ET / 4pm–7pm PT
Online Workshop
Free

Writers can apply for the Writing for Electronic Formats workshop led by Erik Ehn, with contributions from Experiments in Digital Storytelling collaborators.


Black and white photo of woman behind bearded man at table with typewriter.
2 Comments

novel in progress

12/31/2021

2 Comments

 

aimee greenberg

Aimee Greenberg is a writer, playwright, director, producer, performer, and teacher.

​Genre: Auto fiction. 
 
When the Fog Scurries Home and Chases Down the Street Lights  (Working Title)
 
Is blood thicker than water? Anneke searches for her biological parents and discovers the true ties that bind.
Black and white photograph of woman under a rain umbrella walking through fog under streetlights.
2 Comments

In development

12/31/2021

7 Comments

 

aimee greenberg

Aimee Greenberg is a writer, playwright, director, producer, performer, and teacher.

A bi-coastal hybrid mixed reality performance centered around climate change using film, digital design and interactivity. Written by a team of diverse writers and directed by artistic directors Ralph Lewis of Peculiar Works Project and Aimee Greenberg of fruitlessmoon theatreworks, with a focus on an intergenerational design team.
Digital art of planet Earth in ocean water under grey stormy sky and lightning.
7 Comments

The Higher Love

12/31/2021

1 Comment

 

aimee greenberg

Aimee Greenberg is a writer, playwright, director, producer, performer, and teacher.

I am directing a virtual production of Germaine Shames' The Higher Love
Produced by Transformation Theatre, August 2022.
​In The Higher Love, two impressionable actors, Salim and Lucy, land the roles of a lifetime: poet Khalil Gibran and his patron, Mary Haskell. As rehearsals progress, the actors grapple with their unpredictable characters, the meaning of love, and the stage kiss to end all. Offstage, a tragedy strikes the play’s director, casting into doubt Gibran’s and Haskell’s lofty, if unrealized, ideals. From infatuation to heartache to conviction, each character is tested in his/her quest to seize the higher love.
Autorretrato y Musa, a painting by Kahlil Gibran, 1911
Autorretrato y Musa, painting by Kahlil Gibran, 1911
1 Comment

    Author

    Aimee Greenberg is an accomplished playwright, director, actor, and teacher. The Vat's Nu? Blog showcases Aimee's writing skills and shares What's New in her world of arts and culture.

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  • Home
  • About
    • Aimee Greenberg >
      • Artist Statement
      • Resumes
    • fruitlessmoon theatreworks
    • HEIJERA productions
  • Productions
    • Poster Gallery >
      • fruitlessmoon theatreworks
      • HEIJERA PRODUCTIONS
      • Virtual Theatre Posters
    • fruitlessmoon theatreworks >
      • American Carnage: A Love Story
      • Phoebe in Winter
      • Waiting for Godot
      • A Midsummer Night's Dream
      • Occupy the Rice Fields
      • Light Falling Down
      • Peter Pan
    • HEIJERA productions >
      • Dona Sangre
      • Through the Water Lily
      • Dark Moon of Lilith
      • phases of the LOON
      • No Codes
      • Dreams of Flight
    • Virtual Theatre >
      • Dragon Eggs
      • The Making of American Carnage
      • Touch the Moon
      • 59 Inches
      • Utopia
      • William Shakespeare's Tragical History of Frankenstein
      • The Higher Love
  • Books
    • Occupy the Rice Fields
  • Press
    • Intellexual Entertainment Podcast
    • American Carnage: A Love Story
    • Waiting for Godot
    • Light Falling Down
    • Dona Sangre
    • Dark Moon of Lilith
    • phases of the LOON
  • Workshops
    • Teaching
    • Participant
  • Donate
  • Contact
  • Upcoming
  • Blog