Aimee Greenberg
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writing for electronic formats

CULTUREHUB
Experiments in digital storytelling
 
Writing for Electronic Formats will provide a point of convergence for those interested in generating writing for live electronic formats, exploring new modes of storytelling, and engaging with technology from critical and imaginative perspectives.

The workshop welcomes fifteen writers to engage in a two-week intensive of asynchronous and synchronous sessions with guest creative technologists, writers, performers and new media artists.

Sessions will be led by Erik Ehn with contributions from artists Mx. Oops, Shauna Davis, Stacy Dawson Stearns, Shawn Van Every, and Yuguang Zhang.

​Click on the photo below to learn more.
Black and white photograph of woman walking behind man with beard at cafe table with typewriter.

Novel in progress

By Aimee Greenberg
 
Genre: Auto fiction
 
When the Fog Scurries Home and Chases Down the Street Lights  (Working Title)
 
Is blood thicker than water? Anneke searches for her biological parents and discovers the true ties that bind.
Photo of woman walking in the fog at night.

Collaboration in development

​A bi-coastal hybrid mixed reality performance centered around climate change using film, digital design and interactivity. Written by a team of diverse writers and directed by artistic directors Ralph Lewis of Peculiar Works Project and Aimee Greenberg of fruitlessmoon theatreworks, with a focus on an intergenerational design team.
Digital art of Earth in ocean with stormy skies above.

the higher love

Aimee Greenberg will be directing a virtual production of Germaine Shames The Higher Love
Produced by Transformation Theatre, August 2022
 
In The Higher Love​, two impressionable actors, Salim and Lucy, land the roles of a lifetime: poet Khalil Gibran and his patron, Mary Haskell. As rehearsals progress, the actors grapple with their unpredictable characters, the meaning of love, and the stage kiss to end all. Offstage, a tragedy strikes the play’s director, casting into doubt Gibran’s and Haskell’s lofty, if unrealized, ideals. From infatuation to heartache to conviction, each character is tested in his/her quest to seize the higher love. 

​Learn more by clicking on the image below.
Autorretrato y Musa, painting by Kahlil Gibran, 1911


Autorretrato y Musa | Kahlil Gibran | Painting | 1911

Content and Creative Copyrights held by Aimee Greenberg. 

  • Home
  • About
    • Aimee Greenberg >
      • Artist Statement
      • Resumes
    • fruitlessmoon theatreworks
    • HEIJERA productions
  • Productions
    • Poster Gallery >
      • fruitlessmoon theatreworks
      • HEIJERA PRODUCTIONS
      • Virtual Theatre Posters
    • fruitlessmoon theatreworks >
      • American Carnage: A Love Story
      • Phoebe in Winter
      • Waiting for Godot
      • A Midsummer Night's Dream
      • Occupy the Rice Fields
      • Light Falling Down
      • Peter Pan
    • HEIJERA productions >
      • Dona Sangre
      • Through the Water Lily
      • Dark Moon of Lilith
      • phases of the LOON
      • No Codes
      • Dreams of Flight
    • Virtual Theatre >
      • Dragon Eggs
      • The Making of American Carnage
      • Touch the Moon
      • 59 Inches
      • Utopia
      • William Shakespeare's Tragical History of Frankenstein
      • The Higher Love
  • Books
    • Occupy the Rice Fields
  • Press
    • Intellexual Entertainment Podcast
    • American Carnage: A Love Story
    • Waiting for Godot
    • Light Falling Down
    • Dona Sangre
    • Dark Moon of Lilith
    • phases of the LOON
  • Workshops
    • Teaching
    • Participant
  • Donate
  • Contact
  • Upcoming
  • Blog