<![CDATA[Aimee Greenberg - Blog]]>Sat, 22 Nov 2025 07:43:55 -0800Weebly<![CDATA[The Realistic Joneses]]>Tue, 04 Oct 2022 00:04:58 GMThttps://www.aimeegreenberg.com/vats-nu-blog/the-realistic-jonesesAimee Greenberg

Aimee Greenberg is a playwright, director, actor, and teacher.

Theatre poster for The Realistic Joneses. Art features two Adirondack chairs and a chipmunk eating a treat.


Theatre poster for The Realistic Joneses

The Realistic Joneses is a play by Will Eno that premiered in 2012 at the Yale Repertory Theatre and opened on Broadway in 2014. Aimee Greenberg directed a 2022 performance run at The Playhouse in San Anselmo.

]]><![CDATA[Occupy the rice fields]]>Mon, 03 Oct 2022 23:38:44 GMThttps://www.aimeegreenberg.com/vats-nu-blog/occupy-the-rice-fieldsAimee Greenberg

Aimee Greenberg is a playwright, director, actor, and teacher.

Book cover art for Occupy the Rice Fields by Aimee Greenberg.


Book cover for Occupy the Rice Fields by Aimee Greenberg

Click on the image to access the Audible audiobook, Paperback, and Kindle editions.

Back cover of Aimee Greenberg's book, Occupy the Rice Fields. The antidote to Eat, Pray, Love! Occupy the Rice Fields, based on Greenberg's own travels to Bali, ventures into very different territory, documenting encounters with fake spiritualists, hustlers and hawkers.


Occupy the Rice Fields | Paperback, Kindle, Audiobook | Aimee Greenberg

The antidote to Eat, Pray, Love!

Occupy the Rice Fields, based on Greenberg's own travels to Bali, ventures into very different territory, documenting encounters with fake spiritualists, hustlers and hawkers.

"Greenberg confronts the darker side of paradise in this candid and hilarious monologue about a hopeful traveler in search of the sacred in the last of the trance dancers amid rampant development on the island of Bali." - James Hebert, San Diego Union-Tribune

New Avalon Press

ISBN 9798440963061
]]><![CDATA[writing for electronic formats]]>Sat, 01 Jan 2022 07:53:15 GMThttps://www.aimeegreenberg.com/vats-nu-blog/writing-for-electronic-formats
Aimee Greenberg is participating in the upcoming Writing for Electronic Formats Online Workshop by CULTUREHUB, New York.

January 10–21, 2022
7pm–10pm ET / 4pm–7pm PT
Online Workshop
Free

Writers can apply for the Writing for Electronic Formats workshop led by Erik Ehn, with contributions from Experiments in Digital Storytelling collaborators.
Black and white photo of woman behind bearded man at table with typewriter.
]]><![CDATA[novel in progress]]>Sat, 01 Jan 2022 05:36:17 GMThttps://www.aimeegreenberg.com/vats-nu-blog/novel-in-progress

aimee greenberg

Aimee Greenberg is a writer, playwright, director, producer, performer, and teacher.

​Genre: Auto fiction. 
 
When the Fog Scurries Home and Chases Down the Street Lights  (Working Title)
 
Is blood thicker than water? Anneke searches for her biological parents and discovers the true ties that bind.
Black and white photograph of woman under a rain umbrella walking through fog under streetlights.
]]><![CDATA[In development]]>Sat, 01 Jan 2022 05:19:42 GMThttps://www.aimeegreenberg.com/vats-nu-blog/in-development

aimee greenberg

Aimee Greenberg is a writer, playwright, director, producer, performer, and teacher.

A bi-coastal hybrid mixed reality performance centered around climate change using film, digital design and interactivity. Written by a team of diverse writers and directed by artistic directors Ralph Lewis of Peculiar Works Project and Aimee Greenberg of fruitlessmoon theatreworks, with a focus on an intergenerational design team.
Digital art of planet Earth in ocean water under grey stormy sky and lightning.
]]><![CDATA[The Higher Love]]>Fri, 31 Dec 2021 20:08:24 GMThttps://www.aimeegreenberg.com/vats-nu-blog/the-higher-loveaimee greenberg

Aimee Greenberg is a writer, playwright, director, producer, performer, and teacher.

I am directing a virtual production of Germaine Shames' The Higher Love
Produced by Transformation Theatre, August 2022.
​In The Higher Love, two impressionable actors, Salim and Lucy, land the roles of a lifetime: poet Khalil Gibran and his patron, Mary Haskell. As rehearsals progress, the actors grapple with their unpredictable characters, the meaning of love, and the stage kiss to end all. Offstage, a tragedy strikes the play’s director, casting into doubt Gibran’s and Haskell’s lofty, if unrealized, ideals. From infatuation to heartache to conviction, each character is tested in his/her quest to seize the higher love.
Autorretrato y Musa, a painting by Kahlil Gibran, 1911
Autorretrato y Musa, painting by Kahlil Gibran, 1911
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